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ePaper created 2013-10-09, 06:36:00 | version 1.25.20
53 In Catherine Opie’s Self-Portrait/Cutting who has razored the physics of the drip on the skin of her back, two women slit waists, pronged legs, triangular skirts underscoring the illusion of an ordinary life, a clutch of secrets a mother might pass on did I say mother the beading birds above, I meant house over which settles multiple models of doubt, did I say drip the idea of home, I meant rot I meant meager plot.