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ePaper created 2013-10-09, 06:36:00 | version 1.25.20
82 of an actor is built, not on his representing the copied results of feelings, but on his causing the feelings to arise, develop, grow into other feelings— to live before the spectator.” He also writes, “A work of art, understood dynamically, is just this process of arranging images in the feelings and mind of the spectator.” My early appreciation for what film could evoke in me through my father’s subtly produced home videos has made me especially attracted to the film work of artists who focus less on plot and more on quiet, observed being. Directors of this kind are exactly poets, who present only the slivered down haiku of a story, which in its Buddhist simplicity resounds like a vibration. Ø